Oscar Nominated Shorts: Animated

Dear Basketball: B
Negative Space: B+
LOU:A
Revolting Rhymes Part One: B+
Garden Party: B+

["Highly Commended"]
Lost Property Office: B
Weeds B
Achoo: B-

dear basketball Dear Basketball (USA, 6 minutes) precipitated a fair amount of humor on Twitter about basketball player Kobe Bryant somehow becoming an Academy Award nominee -- because he wrote and narrates the poem that makes up the audio of this entire short. I don't particularly see any pressing reason to make fun of it. I have close to zero interest in basketball, sure, but I can still recognize sincerity when I see it. This isn't the greatest poem in the world, but that's beside the point. This is effectively evocative with its animated pencil drawings and earnest delivery.

negative space Negative Space (France, 5 minutes) is a light hearted little stop motion short, with rather odd looking characters that sort of look like papier-mâché, about a boy who learned how to pack suitcases from his father. This one kind of touched me in a personal way because my stepmother also taught me how to maximize space in luggage by rolling up my clothes. This kid has a few more rules, hence the aversion to "negative space" used inefficiently, which serves as a cute little punch line at the very end.

LOU (USA, 7 minutes) is far from the longest short in this year's group of nominees, but, it should come as no surprise that as the Pixar submission, it's easily the strongest. This one, about stolen toys come to life to teach a playground bully a lesson, has charmes that practically leap off the screen. Here Pixar continues its knack for presenting stories that are equal parts enchanting and moving.

revolting rhymes Revolting Rhymes Part One (UK, 29 minutes) is based on a story by Roald Dahl, and is thus a suitably twisted mashup take on several fairy tales at once: Little Red Riding Hood (who here becomes a vengeful badass); Snow White; and the Three Pigs. The story is narrated by the wolf who has lost his two nephews, and we find out how that happened. This one is by far the longest of the animated shorts, but with a pacing that never lulls, it remains engaging and fun from beginning to end.

garden party I might be more tempted to dismiss Garden Party (France, 7 minutes), if not for its stunning, photorealistic animation. It's mostly of frogs, each of them lazily exploring what increasingly becomes clear is an abandoned mansion whose inhabitant has been shot and killed. Thus, it goes from peaceful and beautiful to dark and disturbing pretty quickly.

lost property office Lost Property Office (Australia, 10 minutes), the first of the "Highly Commended" shorts used as filler to stretch the full prohram to a barely feature length 83 minutes, is another stop motion short, this one in black and white with impressively detailed, art deco cityscapes. It's just a man who ultimately gets laid off and finds a way to turn all the junk he works with into an escape, but it does have its charms.

weeds Weeds (USA, 3 minutes) is the shortest of all the shorts here, but as a brief parable about "daring to dream," does wind up being memorable, as we watch a dandelion struggle to escape the fatally dry and hot part of a sidewalk and make it to where a nearby sprinkler hits. Short as it is, it's easy to see this one only barely missing out on getting an Oscar nomination, particularly considering its crisply rendered animation.

achoo Achoo (France, 7 minutes), on the other hand, is easily the weakest of all offerings here, and it's too bad it gets presented last instead of allowing something strong to be used for going out with a bang. At least there is a "bang" here, as it tells us how fireworks were created -- by a dragon with a cold. The animation here is well done, but the story is somewhat weak, and I can't really decide how I feel about the rendering of the one Chinese human character, who is a little too much of a caricature, even for a cartoon.



lou

Overall: B+

Oscar Nominated Shorts: Live Action

DeKalb Elementary: B+
The Silent Child: B+
My Nephew Emmett: A-
The Eleven O'Clock: B+
Watu Wote / All of Us: A-

dekalb elementary DeKalb Elementary (USA, 21 minutes) is an impressively tense short film for how spare it is in production design: a possible school shooter walks in with a gun, and all we ever see for all 21 minutes of the run time is the reception area where the young man spends his time. We never know whether he might actually shoot someone, but soon learn he has mental issues an is off his meds, and the entirely black staff, particularly an unlucky woman covering reception just for the day, helps talk him down. All of the action takes place exclusively in this one room, but the characters each effectively evoke their individual worlds outside of it.

the silent child What The Silent Child (UK, 20 minutes) lacks in resolution, it makes up for in messaging: this is about a little deaf girl whose parents don't quite understand the importance of teaching her sign language, and the young teacher who tries in vain to explain it to them. We learn at the end of this filn that while 90% of deaf children are born to hearing parents, 78% of deaf children attend hearing schools. This film has little chance of winning the Oscar, given the racially charged political climate tipping the odds in favor of the several shorts that address racial issues, but for this one, the win is truly just in getting nominated -- exposure to these issues is the key. This is the first of four shorts out of those nominated that shows footage of the cast and crew learning of their nomination. This one is well deserved, and in all cases it's fun and touching to see the filmmakers so excited.

my nephew emmett My Nephew Emmett (USA, 20 minutes) features a very slow and deliberate pace, and eases us into the realization that it's based on the true story of Emmett Till, a young black man murdered in Mississippi or simply whistling at a white woman. His 64-year-old uncle tries, ultimately in vain, to protect this boy visiting from Chicago where social mores are a little different. Soon enough to white man arrive at the house, armed, leaving the residents of the home powereless to stop them from taking the young man away. Needless to say, this one is a bit of a downer in the end, but it's no less powerful for it, and is the strongest short film among these five. It would get my vote for the Oscar.

the eleven o'clock Every year there has to be at least one live action short that is more light-hearted and fun, lest the whole bunch of them lure us al into a deep depression. The Eleven O'Clock (Australia, 13 minutes) is this year's example, a comic story of a psychiatrist seeing a patient who is convinced he is himself a pyschiatrist. It quickly becomes clear that we, the viewer, do not know exactly who truly is the psychiatrist and who is the patient. The inevitable twist at the end could not be more predictable, but the film is still a worthy bit of a good time.

Watu Wote / All of Us (Germany / Kenya, 22 minutes) closes out this year's live action set with what turns out to be the true story of a bus raided by Muslim extremists on the border between Kenya and Somalia. When the one Chrisian woman on the bus, whose husband and baby were previously killed by Muslims and thus made her deeply hateful, is protected by all the Muslims on board, it's tempting to feel the story is a little contrived. But, then you learn that this is based on true events, and it becomes more genuinely affecting. There's still a slight note of "can't we all just get along" to the proceedings, tense as they are, and it's also tempting to roll one's eyes at that. But once this relatively brief story is done being told, it proves more moving than expected.

watu wote all of us
Overall: B+