The zombie genre has been so overdone for so long. now even “funny takes” on the zombie genre are overdone — from Shaun of the Dead (2004) to Zombieland (2009) to Warm Bodies (2013) to Pride and Prejudice and Zombies (2016). Even television shows are getting in on the “funny take on zombies” action, from The CW’s iZombie to Netflix’s Santa Clarita Diet.
The point is, there really is no original take on zombies at this point. Even the idea of a genre mashup has been done, with roughly the same amount of middling success, with Pride and Prejudice and Zombies (which, if you can believe it, worked better as a novel). Honestly, I should have known better. Anna and the Apocalypse is clearly trying to hark back to the original “edgy comic take” on zombies, Shaun of the Dead, being a low-budget British production with clear affection for the American productions it emulates.
I could be said this film is a mashup of four different genres, if you want to consider “Christmas” a genre. Anna and the Apocalypse is a horror-comedy-musical Christmas movie. The thing is, director John McPhail blends these genres fairly well, all things considered. Most strikingly, the music and songs are good — they’re catchy, the performers have fantastic voices, they often have irresistible beats. The actual zombies don’t show up until maybe a third of the way through, and there are several songs prior to that, as though this story is a perfectly straightforward musical about kids in school. A British High Shool Musical with a slightly quirkier sense of humor.
And to be fair, I did laugh pretty hard a few times. Still, McPhail can tend to linger on the same gag just slightly too long, until the joke runs out of steam. Perhaps the relative earnestness of the songs themselves is part of the joke. But if that’s the case, then that part of the humor is slightly too high-minded to work for a production that basically amounts to “scrappy.”
When the songs aren’t going on, the dialogue in Anna and the Apocalypse is not particularly concerned with wit, which is a bit of a disappointment. There’s a lot of pretty forgettable stuff said in this movie. There are some memorable moments, such as the beheading of a zombie in a snowman outfit.
Anna and the Apocalypse is mostly fine, which is about as glowing a review as it deserves. It would find a comfortable home on any streaming service; there is absolutely no reason for anyone to go out of their way to see it in a theatre. It seems strange that any effort should be made to give movies like this a theatrical release, and such cinematically visionary work as Roma get a single week in theatres before being disseminated on mobile devices.
So, Anna is fun enough, and good for a few laughs. But it does have a key thing in common with all these other comic takes on the zombie genre: it’s okay, not great. The only one that comes within spitting distance of greatness is the original comic British zombie movie, Shaun of the Dead, and one could even make the case that that one’s overrated. Why do we need all these “zombie comedies,” anyway? The endless stream of zombie horror movies wasn’t enough?
Well, it will be eventually. Maybe even with Anna and the Apocalypse, which is about as entertaining as it looks (as in: moderately), and pretty much guaranteed not to make a whole lot of money. Especially if, curiously, it apparently has some kind of promotion deal with MoviePass — making it literally the only movie available to users on the day I went. (I showed my MoviePass card to the cashier and he said, “Yeah, you better use that while you can before the bottom falls out.”)
Granted, I’m not exactly the target audience here. I went to see this movie only barely convinced to: because the critical response was slightly better than average; I had free access via MoviePass; there was nothing better playing at the moment; I love Christmas. I’ve been bitching about there being too many movies about zombies for ages — since before I started bitching about superhero movies (and now also Star Wars movies) over-saturating the market. Tonight, I literally settled for Anna and the Apocalypse. It proved to be a movie that can work if it’s something you’re settling for. It has well-sung, toe-tapping music, at least.